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John Woo

From Wikipedia, the free encyclopedia
(Redirected from Wú Yusen)
For other people named John Woo, see John Woo (disambiguation).
Not to be confused with Johnny Woo (comics), John Yoo, or John Ng.
In this Hong Kong name, the surname is Woo (吳). In accordance with Hong Kong custom, the Western-style name is John Woo and the Chinese-style name is Woo Yu-sen.

John Woo
SBS
吳宇森
Woo in 2005
Born
Wu Yu-seng

(1946-09-22) 22 September 1946 (age 78)[1]
Guangzhou, China
NationalityHong Konger
Occupations
  • Film director
  • screenwriter
  • producer
Years active1968–present
Spouse
Anne Chun-Lung Niu
​
(m. 1976)​
Children3
Chinese name
Traditional Chinese吳宇森
Simplified Chinese吴宇森
Transcriptions
Standard Mandarin
Hanyu PinyinWú Yǔsēn
Wade–GilesWu2 Yü3-sen1
IPA[ǔ ỳsə́n]
Yue: Cantonese
Yale RomanizationǸgh Yúhsām
JyutpingNg4 Jyu5-sam1
IPA[ŋ̍˩ jy˩˧sɐm˥]
Signature

John Woo Yu-sen SBS (Chinese: 吳宇森; born 22 September 1946)[1] is a Hong Kong film director known as a highly influential figure in the action film genre.[2] The recipient of various accolades, including a Hong Kong Film Award for Best Picture, Best Director, and Best Editing, as well as a Golden Horse Award, an Asia Pacific Screen Award and a Saturn Award, he is regarded as a pioneer of heroic bloodshed films and the gun fu genre in Hong Kong action cinema. He is known for his highly chaotic "bullet ballet"[3][4] action sequences, stylized imagery, Mexican standoffs, frequent use of slow motion and allusions to wuxia, film noir and Western cinema.[5]

Considered one of the major figures of Hong Kong cinema, Woo has directed several notable action films. He is known for his collaborations with actor Chow Yun-fat in five Hong Kong action films: A Better Tomorrow (1986), which made Chow a box-office superstar in Asia,[6] A Better Tomorrow II (1987), The Killer (1989), Once a Thief (1991), and Hard Boiled (1992). He has also directed martial arts films such as The Dragon Tamers (1975), Hand of Death (1976), and Last Hurrah for Chivalry (1979), and action comedies such as Follow the Star (1978), From Riches to Rags (1980), Run, Tiger, Run (1984), and Once a Thief (1991).

Hard Target (1993), starring Jean-Claude Van Damme, was his first American directorial debut, and the first major Hollywood film made by a Chinese director. His other Hollywood films include Broken Arrow (1996), Face/Off (1997) and Mission: Impossible 2 (2000).[5] He made his Canadian debut with the action comedy film Once a Thief (1996), which is a remake of Woo's 1991 film of the same name. He continued to be active in Hong Kong cinema, directing films such as the two-part historical epic The Crossing (2014). His first Chinese-language feature since Hard Boiled (1992) was the internationally co-produced Red Cliff (2008-2009),[5][7] which broke the Chinese box office record previously held by Titanic in mainland China.[8]

Woo is the creator of the comic series Seven Brothers, published by Virgin Comics. He is the founder and chairman of the production company Lion Rock Productions.[9]

Early life

[edit]

Woo was born as Wu Yu-seng (Ng Yu-sum in Cantonese) on 22 September 1946, in Guangzhou, China, amidst the chaotic Chinese Civil War. Due to school age restrictions, his mother changed his birth date to 22 September 1948, which is what remains on his passport. The Woo family, who were Protestant Christians, faced persecution during Mao Zedong's early anti-bourgeois purges after the communist revolution in China, and fled to Hong Kong when he was five.[1][10]: xv, 3 

Impoverished, the Woo family lived in the slums at Shek Kip Mei. His father was a teacher, though rendered unable to work by tuberculosis, and his mother was a manual laborer on construction sites.[11] The family was rendered homeless by the Shek Kip Mei Fire of 1953.[10] Charitable donations from disaster relief efforts enabled the family to relocate; however, violent crime had by then become commonplace in Hong Kong housing projects. At age three he was diagnosed with a serious medical condition. Following surgery on his spine, he was unable to walk correctly until eight years old, and as a result his right leg is shorter than his left leg.[12]

His Christian upbringing shows influences in his films.[13] As a young boy, Woo had wanted to be a Christian minister. He later found a passion for movies influenced by the French New Wave especially Jean-Pierre Melville. Woo has said he was shy and had difficulty speaking, but found making movies a way to explore his feelings and thinking and would "use movies as a language".[5]

Woo found respite in Bob Dylan and in American Westerns.[14] He has stated the final scene of Butch Cassidy and the Sundance Kid made a particular impression on him in his youth: the device of two comrades, each of whom fire pistols from each hand, is a recurrent spectacle later found in his own work.[15]

Career

[edit]

1969–1985: Career beginnings in Hong Kong

[edit]

In 1969, Woo was hired as a script supervisor at Cathay Studios. In 1971, he became an assistant director at Shaw Studios.[16] The same year, he watched Bruce Lee's The Big Boss, which left a strong impression on him due to how different it was from earlier martial arts films. Lee's films inspired Woo to direct his own action films.[16] His directorial debut in 1974 was the feature film The Young Dragons (鐵漢柔情, Tiě hàn róu qíng).[17] In the kung fu film genre, it was choreographed by Jackie Chan.[18] The film was picked up by Golden Harvest Studio, where he went on to direct more martial arts films. He later had success as a comedy director with Money Crazy (發錢寒, Fā qián hàn) (1977), starring Hong Kong comedian Ricky Hui and Richard Ng.[19]

1986–1992: 'Heroic Bloodshed', breakthrough and international recognition

[edit]

By the mid-1980s, Woo was experiencing occupational burnout. Several of his films were commercial disappointments, and he felt a distinct lack of creative control. It was during this period of self-imposed exile that director/producer Tsui Hark provided the funding for Woo to film a longtime pet project, A Better Tomorrow (1986). The story of two brothers—one a law enforcement officer, the other a criminal—was a financial blockbuster. A Better Tomorrow became a defining achievement in Hong Kong action cinema[20]

John Woo: Interviews includes a 36-page interview with Woo by editor Robert K. Elder, which documents the years 1968 to 1990. It includes Woo's early career in working on comedies, his work on kung fu films (during which time he gave Jackie Chan one of his first major film roles), and more recently, his gunpowder morality plays in Hong Kong.[21]

1993–2000: Move to the United States and international success

[edit]

An émigré in 1993, the director experienced difficulty in cultural adjustment while contracted with Universal Studios to direct Jean-Claude Van Damme in Hard Target. Like other foreign national film directors confronted with the Hollywood environment, Woo was unaccustomed to pervasive management concerns over matters such as limitations on violence and completion schedules. When initial cuts failed to yield an "R" rated film, the studio assumed control of the project and edited footage to produce a cut "suitable for American audiences".

A three-year hiatus saw Woo next direct John Travolta and Christian Slater in Broken Arrow. A frenetic chase-themed film, the director once again found himself hampered by studio management and editorial concerns. Despite a larger budget than his previous Hard Target, the final feature lacked the trademark Woo style. Public reception saw modest financial success.

Reluctant to pursue projects which would necessarily entail front-office controls, the director cautiously rejected the script for Face/Off several times until it was rewritten to suit him. (The futuristic setting was changed to a contemporary one.) Paramount Pictures also offered the director significantly more freedom to exercise his speciality: emotional characterisation and elaborate action. A complex story of adversaries—each of whom surgically alters their identity—law enforcement agent John Travolta and terrorist Nicolas Cage play a cat-and-mouse game, trapped in each other's outward appearance. Face/Off opened in 1997 to critical acclaim and strong attendance. Grosses in the United States exceeded $100 million. Face/Off was also nominated for an Academy Award in the category Sound Effects Editing (Mark Stoeckinger) at the 70th Academy Awards.

Around this period, Woo would also produce and direct several film and TV projects. In 1996, Woo produced and directed Once a Thief, a Canadian made-for-television remake of Woo's 1991 caper film. The teleplay subsequently spawned a television series of the same name, which Woo executive produced. In 1998, Woo directed Blackjack, which featured Dolph Lundgren as a leukophobic bodyguard who hunts down an assassin. The film was intended as a backdoor pilot for a television series, but was not picked up. That same year, Woo served as executive producer and action choreographer on Antoine Fuqua's directorial debut The Replacement Killers, which featured Chow Yun-Fat's first international starring role.

Later, Woo directed Mission: Impossible 2, the second entry in the Tom Cruise-led action film series. Despite receiving mixed reviews, Mission: Impossible 2 grossed over $549 million worldwide, becoming the highest-grossing film of 2000,[22] as well as of Woo's career.[23]

2001–2007: Decline in Hollywood and other ventures

[edit]

Woo made two additional films in Hollywood: Windtalkers (2002) and Paycheck (2003), both of which fared poorly at the box office and were summarily dismissed by critics. Also in 2003, Woo directed a television pilot entitled The Robinsons: Lost in Space for The WB Television Network, based on the 1960s television series Lost in Space. The pilot was not purchased.

Woo also directed and produced the 2007 video game Stranglehold, which is a sequel to his 1992 film, Hard Boiled. The game features Woo as a multiplayer playable character. That same year he produced the anime movie, Appleseed: Ex Machina, the sequel to Shinji Aramaki's 2004 film Appleseed.[24]

2008–2017: Red Cliff and return to Asian cinema

[edit]

In 2008, Woo returned to Asian cinema with the completion of the two-part epic war film Red Cliff, based on a historical battle from Records of the Three Kingdoms. Produced on a grand scale, it is his first film in China since he emigrated from Hong Kong to the United States in 1993. Part 1 of the film was released throughout Asia in July 2008, to generally favourable reviews and strong attendance. Part 2 was released in China in January 2009.

John Woo was presented with a Golden Lion award for lifetime achievement at the Venice Film Festival in 2010.[25]

He followed Red Cliff with another two-part film, The Crossing, in 2014 and 2015. Featuring an all-star cast, the four-hour epic tells the parallel stories of several characters who all ultimately find themselves passengers on the doomed Taiping steamer, which sank in 1949 en route from mainland China to Taiwan and has been described as "China's Titanic".

Following the box-office disappointment of The Crossing, Woo and producer Terence Chang disbanded Lion Rock Productions.[26]

Woo followed up The Crossing with Manhunt, a remake of the 1976 Japanese crime thriller of the same name. Production started on Manhunt in June 2016 in Osaka[27] and later reported to be finished filming by the end of November.[27][28] The film, co-led by Chinese actor Zhang Hanyu and Japanese actor Masaharu Fukuyama, features a large Japanese cast including Yasuaki Kurata, Jun Kunimura, Hiroyuki Ikeuchi, Nanami Sakuraba, Naoto Takenaka and Tao Okamoto.[27] In addition, Chinese actress Qi Wei, Korean actress Ha Ji-won and Woo's daughter Angeles were cast in key roles in the film.[27] The film was released in China on 24 November 2017.[29][30][27]

2021–present: Silent Night and return to Hollywood

[edit]

Following another hiatus, Woo returned to Hollywood to direct the action thriller Silent Night, where a normal father heads into the underworld to avenge his young son's death. Produced by Basil Iwanyk, the film starred Joel Kinnaman and was told entirely without dialogue.[31] It was Woo's first American feature film since Paycheck (2003).[32]

Woo commented in 2015 that he would remake The Killer for American audiences. Initially, actress Lupita Nyong'o had been cast for the lead role,[33] however by March 2023, Nathalie Emmanuel was cast instead,[34] with Omar Sy joining the film as the cop character.[35] The film was directed by Woo, produced by Universal Studios and released exclusively on Peacock.[36]

In September 2024, Woo's official Instagram account and the social media accounts of the duo Sparks all posted a photo of Woo with members Ron and Russell Mael,[37] strongly hinting at collaborating on a "new project" which would not be an action film.[38] The hashtag #xcrucior points to a musical Sparks have been developing with Focus Features as their follow-up to Annette and sought a director for. Woo has previously tried to get musical projects in production,[39] and shares a love of French cinema and Jaques Demy's The Umbrellas of Cherbourg with the Mael brothers.[40] He later confirmed it to be a "half-musical".[41]

Unrealized film projects

[edit]

In May 2008, Woo announced in Cannes that his next movie would be 1949, an epic love story set between the end of World War II and Chinese Civil War to the founding of the People's Republic of China, the shooting of which would take place in China and Taiwan. Its production was due to begin by the end of 2008, with a theatrical release planned in December 2009. However, in early April 2009, the film was cancelled due to script right issues. Reports indicated that Woo might be working on another World War II film, this time about the American Volunteer Group, or the Flying Tigers. The movie was tentatively titled "Flying Tiger Heroes" and Woo is reported as saying it will feature "The most spectacular aerial battle scenes ever seen in Chinese cinema." It was not clear whether Woo would not be directing the earlier war film, or whether it was put on the back burner. Woo has stated that Flying Tiger Heroes would be an "extremely important production" and will "emphasise US-Chinese friendship and the contributions of the Flying Tigers and the Yunnan people during the war of resistance."[42] Woo has announced he will be using IMAX cameras to film the Flying Tigers project. "It has always been a dream of mine to explore shooting with IMAX cameras and to work in the IMAX format, and the strong visual element of this film is incredibly well-suited to the tastes of cinemagoers today [...] Using IMAX for Flying Tigers would create a new experience for the audience, and I think it would be another breakthrough for Chinese movies".[43]

Personal life

[edit]

Woo has been married to Annie Woo Ngau Chun-lung since 1976. They have two daughters, Kimberley Woo, Angeles Woo, and a son Frank Woo.[10] He is a Christian and told BBC in an interview that he believes in God and has utmost admiration for Jesus, whom he calls a "great philosopher".[5]

His three favorite films are David Lean's Lawrence of Arabia, Akira Kurosawa's Seven Samurai and Jean-Pierre Melville's Le Samouraï.[5] A complete list of his 48 inspirational films was published in May 2018.[40] As of July 2024, Woo is the only filmmaker who has listed The Bridge on the River Kwai by David Lean and Zorba the Greek by Michael Cacoyannis as favorites on LaCinetek, a French website that collects and publishes lists from film directors.[44]

Filmography

[edit]

Film

[edit]
Year Title Director Writer Producer Notes
1968 死結 Sijie (Dead Knot) Yes Yes No Short film, co-directed with Sek Kei
Ouran (Accidentally) Yes No No Short film
1974 The Young Dragons Yes Yes No
1975 The Dragon Tamers Yes Yes No
1976 Princess Chang Ping Yes Yes No
Hand of Death Yes Yes No Also actor (as Scholar Cheng)
1977 Money Crazy[19] Yes Yes No
1978 Hello, Late Homecomers Yes Yes No
Follow the Star Yes No No Also actor (as Mr. Chen)
1979 Last Hurrah for Chivalry Yes Yes No
1980 From Riches to Rags Yes Yes No
Laughing Times Yes Yes No
1982 To Hell with the Devil Yes Yes No
Plain Jane to the Rescue Yes No No Cameo (as a director playing God)
1984 The Time You Need a Friend Yes Yes Yes
Heroes Shed No Tears Yes Yes No
1984 Run, Tiger, Run Yes No Yes
1986 A Better Tomorrow Yes Yes Yes Also actor (as Inspector Wu)
1987 A Better Tomorrow II Yes Yes No
1989 The Killer Yes Yes No
Just Heroes Yes No No
1990 Bullet in the Head Yes Yes Yes Also actor (as Police Inspector)
1991 Once a Thief Yes Yes No
1992 Hard Boiled Yes Yes No Also actor (as Bartender)
1993 Hard Target Yes No No
1996 Broken Arrow Yes No No
1997 Face/Off Yes No No
2000 Mission: Impossible 2 Yes No No
2002 Windtalkers Yes No Yes
2003 Paycheck Yes No Yes
2005 All the Invisible Children Yes No No Segment "Song Song and Little Cat"
2008 Red Cliff: Part I Yes Yes Yes
2009 Red Cliff: Part II Yes Yes Yes
2010 Reign of Assassins Yes No Yes Co-directed with Su Chao-pin
2014 The Crossing: Part I Yes No Yes
2015 The Crossing: Part II Yes No Yes
2017 Manhunt Yes No No
2023 Silent Night Yes No Yes
2024 The Killer Yes No Yes

Television

[edit]
Year Title Director Executive Producer Notes
1996 Once a Thief Yes Yes TV movie
1997–98 Once a Thief No Yes
1998 Blackjack Yes Yes TV movie

Producer only

Year Title Director Notes
1989 A Better Tomorrow III: Love & Death in Saigon Tsui Hark
1995 Peace Hotel Wai Ka-fai
1996 Somebody Up There Likes Me Patrick Leung
1998 The Replacement Killers Antoine Fuqua Woo also choreographed the action sequences
The Big Hit Kirk Wong
2003 Bulletproof Monk Paul Hunter
2005 The Glass Beads Angeles Woo Short film
2007 Blood Brothers Alexi Tan
Appleseed Saga: Ex Machina Shinji Aramaki
2009 My Fair Gentleman Li Ju-Yuan
2010 A Better Tomorrow Song Hae-sung Also writer
2011 Seediq Bale Wei Te-sheng

Other works

[edit]

Accolades

[edit]
A hand and shoe print reading "John Woo" at the top, the Chinese name "吳宇森" in the middle, and "5/21/2002" at the bottom.
Woo's hand and shoe prints in front of Grauman's Chinese Theatre in Hollywood
Year Title Award/Nomination
1986 A Better Tomorrow Hong Kong Film Award for Best Film
Nominated–Hong Kong Film Award for Best Director
Nominated–Hong Kong Film Award for Best Screenplay
1989 The Killer Hong Kong Film Award for Best Director
Nominated–Hong Kong Film Award for Best Screenplay
1990 Bullet in the Head Nominated–Hong Kong Film Award for Best Director
1991 Once a Thief Nominated–Hong Kong Film Award for Best Director
1993 Hard Target Nominated–Saturn Award for Best Director
1997 Face/Off Saturn Award for Best Director
2008 Red Cliff: Part I Nominated–Asian Film Award for Best Director
2009 Red Cliff: Part II Nominated–Hong Kong Film Award for Best Film
Nominated–Hong Kong Film Award for Best Director

See also

[edit]

References

[edit]
  1. ^ a b c Rawnsley, Gary D. Rawnsley, Ming-Yeh T. (2003). Political Communications in Greater China: construction and reflection identity. Routledge; ISBN 0-7007-1734-X.[page needed]
  2. ^ "John Woo". Archived from the original on 1 November 2014. Retrieved 10 January 2009.
  3. ^ Kehr, Dave (14 July 2002). "John Woo: Ballets full of bullets". the Guardian. Archived from the original on 29 October 2022. Retrieved 29 October 2022.
  4. ^ Weinraub, Bernard (22 February 1996). "ON LOCATION WITH: John Woo;Ballets With Bullets". The New York Times. ISSN 0362-4331. Archived from the original on 29 October 2022. Retrieved 29 October 2022.
  5. ^ a b c d e f Pierce, Nev (24 September 2014). "Calling The Shots: John Woo". BBC. Archived from the original on 29 January 2020. Retrieved 22 December 2019.
  6. ^ "Chow Yun-Fat | Biography, Movies, & Facts | Britannica".
  7. ^ "WOO John - Festival de Cannes 2014 (International Film Festival)". Archived from the original on 1 November 2014. Retrieved 10 January 2009.{{cite web}}: CS1 maint: bot: original URL status unknown (link). Festival de Cannes fiche artiste (artist profile)
  8. ^ 《赤壁》夺日票房冠军 大破《英雄》票房纪录 [Red Cliff wins the box office champion of the day and breaks the 'hero' box office record] (in Chinese). 6 November 2008. Archived from the original on 31 August 2009. Retrieved 2 March 2009.
  9. ^ "John Woo". Variety. 7 November 2013. Archived from the original on 23 December 2017. Retrieved 11 December 2017.
  10. ^ a b c Woo, John (2005). Elder, Robert K. (ed.). John Woo:Interviews;Conversations with Filmmakers Series. University Press of Mississippi. ISBN 978-1-57806-776-3.
  11. ^ Leydon, Joe (3 January 1993). "COVER STORY New Gun in Town John Woo, Hong Kong's legendary action director, teams with Jean-Claude Van Damme for his first American thriller, 'Hard Target'".[dead link]
  12. ^ "Famous Persons with Disabilities". Tampagov.net. Archived from the original on 8 October 2012. Retrieved 19 October 2012.
  13. ^ June 2000 edition of Premiere magazine
  14. ^ amiamcable (27 October 2015). "John Woo". N/A. Archived from the original on 1 March 2018. Retrieved 1 March 2018.
  15. ^ Szeto, Kin-Yan (2011). The Martial Arts Cinema of the Chinese Diaspora: Ang Lee, John Woo, & Jackie Chan in Hollywood. SIU Press. p. 77. ISBN 978-0809330218. Archived from the original on 5 March 2024. Retrieved 19 September 2020.
  16. ^ a b How Bruce Lee Changed the World (television documentary). History Channel / Discovery Channel. 17 May 2009. Archived from the original on 16 May 2022. Retrieved 16 May 2022 – via YouTube.
  17. ^ "John Woo". IMDb. Archived from the original on 18 July 2021. Retrieved 24 June 2021.
  18. ^ Havis, Richard James (3 October 2021). "Being a stunt double for Bruce Lee made Jackie Chan want to be a star". South China Morning Post. Archived from the original on 19 March 2022. Retrieved 19 March 2022.
  19. ^ a b Andrew Saroch. "Money Crazy (1977) - Review". Far East Films. Archived from the original on 24 May 2022. Retrieved 21 June 2022.
  20. ^ Biography for John Woo at IMDb
  21. ^ Elder, Robert (2005). John Woo: Interviews. Conversations with filmmakers series. Jackson: University Press of Mississippi. ISBN 978-1-57806-776-3.
  22. ^ "2000 Yearly Box Office Results". Archived from the original on 6 October 2012. Retrieved 19 October 2012.
  23. ^ "John Woo - Box Office". Archived from the original on 4 December 2023. Retrieved 16 October 2023.
  24. ^ Kelly, Kevin (17 December 2007). "io9 Links Up With 'Appleseed: Ex Machina' Director" Archived 29 September 2019 at the Wayback Machine. Gizmodo.
  25. ^ Woo awarded Golden Lion for lifetime achievement Archived 7 September 2010 at the Wayback Machine
  26. ^ Shackleton, Liz (30 June 2017). "Terence Chang talks China market challenges and new ventures". Screen Daily. Archived from the original on 30 June 2017. Retrieved 10 July 2017.
  27. ^ a b c d e Shackleton, Liz (20 June 2016). "John Woo's 'Manhunt' starts shooting in Osaka". Screen Daily. Screen International. Archived from the original on 9 July 2016. Retrieved 14 December 2016.
  28. ^ Shackleton, Liz (5 November 2016). "AFM: Media Asia launches 'Love Off The Cuff' sales". Screen Daily. Screen International. Archived from the original on 22 January 2017. Retrieved 14 December 2016.
  29. ^ "追捕 - Manhunt". Gewara (in Chinese). Maoyan. Archived from the original on 6 September 2017. Retrieved 6 September 2017.
  30. ^ Rui, Zhang (16 January 2017). "John Woo remakes 'Manhunt' for career reboot". China.org.cn. China Internet Information Center. Archived from the original on 16 January 2017. Retrieved 15 May 2017.
  31. ^ Fleming, Mike Jr. (29 October 2021). "John Woo Returns To Direct Joel Kinnaman In No-Dialogue Action Film 'Silent Night' – AFM". Deadline. Archived from the original on 30 October 2021. Retrieved 1 November 2021.
  32. ^ D'Alessandro, Anthony (22 September 2023). "John Woo's First American Pic In 20 Years, 'Silent Night', Sets December Release". Deadline. Archived from the original on 3 October 2023. Retrieved 16 October 2023.
  33. ^ McNary, Dave (30 April 2018). "Lupita Nyong'o to Star in 'The Killer' Remake With John Woo Directing". Variety. Archived from the original on 2 May 2018. Retrieved 2 May 2018.
  34. ^ "'Game of Thrones' Nathalie Emmanuel to Co-Star Opposite Omar Sy in 'The Killer' for Universal, Peacock and John Woo". 14 March 2023. Archived from the original on 7 June 2023. Retrieved 16 October 2023.
  35. ^ "'Lupin's Omar Sy to Lead John Woo's Reimagining of 'The Killer' for Peacock". 4 August 2022. Archived from the original on 4 December 2023. Retrieved 16 October 2023.
  36. ^ Petski, Denise (2 May 2022). "Original Films From LeBron James, Will Packer & John Woo To Premiere On Peacock In 2023". Deadline. Archived from the original on 2 May 2022. Retrieved 7 June 2022.
  37. ^ "Sparks Twitter account". www.x.com.
  38. ^ "Sparks Instagram post". www.instagram.com. Retrieved 7 September 2024.
  39. ^ "John Woo to Direct New "Killer"-Meets-"Cabaret" Action Moviemusical". Playbill.
  40. ^ a b "John Woo's list". LaCinetek. Retrieved 1 July 2024.
  41. ^ "John Woo's Next Film Is 'A Half-Musical' With Sparks: 'My First Movie Where I Don't Need A Stuntman'". Empire. 9 September 2024. Retrieved 9 September 2024.
  42. ^ Foreman, Liza (21 May 2008). "Woo sets prod'n clock for '1949'". The Hollywood Reporter, the Daily from Cannes (8): 22.
  43. ^ "Woo's Flying Tigers to be shot in IMAX format". ScreenDaily. 30 October 2010. Archived from the original on 6 September 2010. Retrieved 11 March 2010.
  44. ^ Vincentelli, Elisabeth (29 July 2020). "The World's Greatest Directors Have Their Own Streaming Lists". The New York Times. ISSN 0362-4331. Retrieved 1 July 2024.
  45. ^ Lang, Mark (11 May 1998). "Creative: Best Spots – April". Adweek.
  46. ^ Todd Spangler (2014). "PBS's POV, New York Times Pact on Digital Documentary Series". Archived from the original on 2 June 2024. Retrieved 2 June 2024.
  47. ^ Mallya, Harish (9 August 2022). "Fantasia 2022 round-up". Deccan Herald. Archived from the original on 10 August 2022. Retrieved 10 August 2022.

Further reading

[edit]

In English

[edit]
  • Bliss, Michael. Between the Bullets: The Spiritual Cinema of John Woo. Filmmakers series, no. 92. Lanham, Md.: Scarecrow Press, 2002. ISBN 0-8108-4110-X.
  • Brown, Andrew M. J. Directing Hong Kong: The Political Cinema of John Woo and Wong Kar-Wai. Political Communications in Greater China: the Construction and Reflection of Identity. London: RoutledgeCurzon, 2001. ISBN 0-7007-1734-X.
  • Crawford, Kevin R. "Mixing violence and religion in 'The Reckoning' : The Scripting of a Postmodern Action Thriller inside the John Woo-film noir Paradigm". Digital Dissertation/Theses, 2007. [1] Archived 12 June 2011 at the Wayback Machine.
  • Fang, Karen Y. John Woo's A Better Tomorrow. The New Hong Kong Cinema. Hong Kong: Hong Kong University Press, 2004. ISBN 962-209-652-2.
  • Hall, Kenneth E. John Woo: The Films. Jefferson, N.C.: McFarland, 1999. ISBN 0-7864-0619-4.
  • Heard, Christopher. Ten Thousand Bullets: The Cinematic Journey of John Woo. Los Angeles: Lone Eagle Publishing Co., 2000. ISBN 1-58065-021-X.
  • Woo, John (2005). Elder, Robert K. (ed.). John Woo:Interviews;Conversations with Filmmakers Series. University Press of Mississippi. ISBN 978-1-57806-776-3.

Other languages

[edit]
  • Berruezo, Pedro J. John Woo y el cine de acción de Hong Kong. Biblioteca Dr. Vértigo, 23. [Barcelona]: Ediciones Glénat, 2000. ISBN 84-8449-043-2. (in Spanish)
  • Bertolino, Marco, and Ettore Ridola. John Woo: la violenza come redenzione. Recco, Genova: Le mani, 1998. ISBN 88-8012-098-0. (in Italian)
  • Gaschler, Thomas, and Ralph Umard. Woo Leben und Werk. München: Belleville, 2005. ISBN 3-933510-48-1. (in German)
  • Nazzaro, Giona A., and Andrea Tagliacozzo. John Woo: la nuova leggenda del cinema d'azione. Contatti, 199. Roma: Castelvecchi, 2000. ISBN 88-8210-203-3. (in Italian)
  • Spanu, Massimiliano. John Woo. Il castoro cinema, 203. Milano: Castoro, 2001. ISBN 88-8033-192-2. (in Italian)
  • Vié-Toussaint, Caroline. John Woo. Paris: Dark star, 2001. ISBN 2-914680-01-5. (in French)
[edit]
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