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The Fall (band)

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The Fall
The Fall, Perverted by Language Tour, Hamburg (Markthalle), 13 April 1984. L–R: Craig Scanlon, Mark E. Smith, Karl Burns, Steve Hanley
The Fall, Perverted by Language Tour, Hamburg (Markthalle), 13 April 1984. L–R: Craig Scanlon, Mark E. Smith, Karl Burns, Steve Hanley
Background information
OriginPrestwich, Greater Manchester, England
Genres
Years active1976–2018
Labels
Spinoffs
Past members

The Fall were an English post-punk group, formed in 1976 in Prestwich, Greater Manchester. They underwent many line-up changes, with vocalist and founder Mark E. Smith as the only constant member.[1][2] The Fall's long-term musicians included drummers Paul Hanley, Simon Wolstencroft and Karl Burns; guitarists Craig Scanlon, Marc Riley, and Brix Smith; and bassist Steve Hanley, whose melodic, circular bass lines are widely credited with shaping the band's sound from early 1980s albums such as Hex Enduction Hour to the late 1990s.[3]

First associated with the late 1970s punk movement, the Fall's music underwent numerous stylistic changes, often concurrently with changes in the group's lineup. Their music was generally characterised by an abrasive, repetitive guitar-driven sound, tense bass and drum rhythms, and Smith's caustic lyrics.[4] The critic Simon Reynolds described Smith's lyrics as "a kind of Northern English magic realism that mixed industrial grime with the unearthly and uncanny," voiced through a "one-note delivery somewhere between amphetamine-spiked rant and alcohol-addled yarn".[5] While the Fall never achieved widespread success beyond minor hit singles in the late 1980s and early 1990s, they have maintained a strong cult following.

The Fall have been called "the most prolific band of the British post-punk movement".[6] From 1979 to 2017, they released 31 studio albums, plus dozens of live albums and compilations released against Smith's wishes. They were associated with the BBC DJ John Peel, who championed them from early on in their career and described them as his favourite band, saying: "They are always different; they are always the same."[7] The group disbanded after Smith's death in 2018.

History

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Late 1970s: early years

[edit]

The Fall were formed in Prestwich, Greater Manchester, in 1976 by Mark E. Smith, Martin Bramah, Una Baines and Tony Friel. The four friends would meet to read their writings to each other and take drugs.[8] Their musical influences included Can (which the band would later pay tribute to on the track "I Am Damo Suzuki"), the Velvet Underground, Captain Beefheart and garage rock bands like the Monks and the Stooges.[9] The members were devoted readers, with Smith citing H. P. Lovecraft, Raymond Chandler and Malcolm Lowry among his favourite writers.[10] After seeing the Sex Pistols play their second gig at Manchester's Lesser Free Trade Hall in July 1976, they decided to start a group. Smith wanted to name the group "the Outsiders", but Friel came up with the name "the Fall" after a 1956 novel by Albert Camus.[11] Smith became the singer, Bramah the guitarist, Friel played bass guitar and Baines bashed biscuit tins instead of drums; unable to afford to buy a drum kit, she then switched to keyboards.[12] Their music was intentionally raw and repetitive.[9] The song "Repetition", declaring that "we've repetition in the music, and we're never going to lose it", served as a manifesto for the Fall's musical philosophy.[13][14]

The group played their first concert on 23 May 1977, at the North West Arts basement.[12] Their first drummer was remembered only as "Dave" or "Steve" for thirty-four years,[15] until music writer Dave Simpson discovered that he had almost certainly been a man named Steve Ormrod.[16] Ormrod lasted just one show, at least in part due to political differences with the other members of the group.[16] He was replaced by Karl Burns, whom Friel played with in a band called Nuclear Angel. The Fall soon caught the attention of Buzzcocks manager Richard Boon, who funded their first recording session, and in November 1977 they recorded material for their debut EP, Bingo-Master's Break-Out![13] Boon planned to release the EP on his New Hormones label, but after discovering that he could not afford to do so[11] he gave the tapes back to the group. Thus, the Fall's debut on vinyl came in June 1978 when "Stepping Out" and "Last Orders" were released by Virgin Records on Short Circuit: Live at the Electric Circus, a compilation of live recordings made at the Manchester venue The Electric Circus in October 1977 just before it was closed.

The Fall's line-up underwent its first drastic changes in 1977–78. Kay Carroll, Una Baines's friend and colleague at the psychiatric hospital, became the group's manager and occasional backing vocalist, as well as Smith's girlfriend.[14][17] Friel, unhappy with Carroll's management, left in December 1977 (he went on to form the Passage with Dick Witts). He was briefly replaced by Jonnie Brown, and later by Eric McGann (also known as Eric the Ferrett).[17] The Fall were filmed on 13 February 1978 for the Granada TV show What's On, hosted by Tony Wilson, performing "Psycho Mafia", "Industrial Estate" and "Dresden Dolls", featuring the brief line-up of Smith, Bramah, Burns, Baines and McGann. Baines left in March 1978 after a drug overdose and subsequent nervous breakdown, and was replaced by Yvonne Pawlett; McGann quit that May, in disgust at the group's van driver Steve Davies wearing a Hawaiian shirt as he ferried them to the recording of their first-ever session for influential radio DJ John Peel. (The Fall would record a total of 24 sessions for Peel, who became a devoted fan of the group.)[17] Martin Bramah blamed the dissolution of the original line-up on Smith's style of leadership, together with Carroll's favouring of her partner: "The break-up wasn't so much about the music, though; it was more how we were being treated as people on a daily basis."[14] 16-year-old Marc Riley, the group's roadie, was eventually recruited to the group to play bass guitar.[17]

Smith in Japan

Bingo-Master's Break-Out! finally was released in August 1978 on Step Forward Records. The single "It's the New Thing" followed in November 1978, and in December the Fall recorded (in a single day) their debut album Live at the Witch Trials,[18] which was released in March 1979.[19] Burns quit the group shortly after the album was recorded, and was replaced by Mike Leigh from Rockin' Ricky, a cabaret band. In April 1979, Burns was followed by Martin Bramah, co-writer of most of the songs on Live at the Witch Trials[19] and, according to writer Daryl Eslea, "possibly the last true equal to Smith in the group";[18] he went on to form Blue Orchids with Una Baines.[20] Marc Riley switched from bass guitar to guitar, and Craig Scanlon (guitar) and Steve Hanley (bass guitar), former bandmates of Riley and members of Fall support act Staff 9, joined the group.[18] Hanley's melodic basslines became a vital part of the Fall's music for almost two decades.[21] Smith praised his playing in Melody Maker: "The most original aspect of the Fall is Steve ... I've never heard a bass player like him ... I don't have to tell him what to play, he just knows. He is the Fall sound."[22] Yvonne Pawlett left in July 1979 to look after her dog. She later appeared in a band called Shy Tots.[17]

On 30 July 1979, "Rowche Rumble", the Fall's third single, was released featuring the line up of Smith, Scanlon, Riley, Hanley, Pawlett and Leigh. Pawlett left the group shortly afterwards. Dragnet, the Fall's second album, was recorded in August 1979 at Cargo Studios, Rochdale, and was released on 26 October 1979. Dragnet signalled a sparser, more jagged feel in the Fall's music compared to Live at the Witch Trials. The studio allegedly complained about the sound quality and protested against putting its name on the album sleeve, fearing it would put other artists off using the facilities.

1980–1982: Classic line-up

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Hanley, live with the Fall, 1980

The Fall released their fourth single "Fiery Jack", their last for Step Forward, on 13 January 1980. In March, Mike Leigh left the group and went back to the cabaret circuit. According to Leigh, the band would have to wait for weeks without work while Smith came up with new lyrics, as opposed to regular weekly gigs in cabaret. Leigh's replacement was Paul Hanley, Steve Hanley's younger brother. He first played live with the Fall on Friday 21 March at Electric Ballroom, London – he was only 16 and was actually still at school. Meanwhile, the Fall quit Step Forward and signed with Rough Trade; the first release on a new label became Totale's Turns in May 1980. This, with the exception of two tracks, was a live album documenting the band during various appearances in 1979, with Smith announcing last orders at the bar [responding to a request for the song "Last Orders"] and berating band members and audience throughout.

In November 1980, the Fall released their third full-length album Grotesque (After the Gramme). Preceded by a couple of acclaimed singles "How I Wrote 'Elastic Man'" and "Totally Wired", the album went to #1 on the UK Indie Chart. It was co-produced by Rough Trade's Geoff Travis and Mayo Thompson of Red Krayola and showed a significant improvement in production, which was to continue throughout the period. Smith, however, was unhappy with Rough Trade's politics, which showed when Slates came out in April 1981. Intentionally made too long for a single and too short to be considered an album, it was released as a 10" EP for a price of just 2 pounds. The Fall eventually quit Rough Trade by the end of the year, and instead signed with a small indie label Kamera.

As the Fall were going to tour America after the release of Slates, Paul Hanley was denied a visa as he was too young to play American clubs that serve alcohol, which restrict entry to those age 21 or older. Smith thus invited Karl Burns back into the group, initially as a temporary replacement. Select recordings from this tour were released in 1982 as A Part of America Therein, 1981. After their return to the UK, Burns stayed in the group as a second drummer alongside Hanley. The first record to feature both Burns and Hanley became the "Lie Dream of a Casino Soul" single, produced by Richard Mazda and released in Australia and New Zealand in November 1981.

On 8 March 1982 Hex Enduction Hour, also produced by Mazda, was released on Kamera Records, the Fall's seventh single ("Look, Know") was released 19 April 1982 on Kamera. On 27 September the Room to Live album was released on Kamera. Marc Riley was sacked at the end of the year, following several arguments, one of which resulted in a fist fight during the Australian tour. In response, Riley's band "The Creepers" wrote the track "Jumper Clown", which directly references Riley's dismissal, while also satirising Smith's dress sense.

This era is often regarded as a high point in the band's creative history, as noted by Ned Raggett of AllMusic who retrospectively described the late years with Riley and shortly after his departure as "three years during which the band couldn't seem to make a wrong step."[23]

1983–1989: Brix Smith years

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In 1983, Rough Trade Records released the Fall's ninth single, "The Man Whose Head Expanded", and on 19 September issued the band's tenth single and double pack "Kicker Conspiracy". Bizarrely, in November Kamera Records released around two- to three-thousand copies of the planned 1982 single "Marquis Cha Cha", the release date having been put back due to Kamera's financial troubles in late 1982, making it the Fall's eleventh single issue.

Steve Hanley and Brix Smith, Perverted By Language tour, Hamburg, 13 April 1984

That year Smith's American girlfriend and later wife, Brix Smith joined the band on guitar. Born Laura Elise Salenger, she was nicknamed after the track "The Guns of Brixton" by the Clash, a favourite song of hers. Brix's tenure in the group marked a shift towards the relatively conventional, with the songs she co-wrote often having strong pop hooks and more orthodox verse-chorus-verse structures. Additionally, Brix's keen sense of fashion gradually influenced the group's members to give more attention to their clothing and styling, though her platinum blonde hair and glamorous style were somewhat at odds to the otherwise working class appearance of the Fall. Brix's first live appearance with the Fall was on 21 September 1983 at the Hellfire Club, Wakefield.

Perverted by Language, released 5 December, was the Fall's final album for Rough Trade Records, but the first to feature Brix. Also released in December was the live album In a Hole, recorded during the Fall's tour of New Zealand in 1982, on Flying Nun Records.

This era, a favourite period amongst many critics and fans, was marked by Brix's effort to find a wider audience for the Fall. They achieved a few modest UK hits with singles, including their versions of R. Dean Taylor's "There's a Ghost in My House" (no. 30, 1987) and the Kinks' "Victoria" (no. 35, 1988) and their own songs "Hey! Luciani" (no. 59, 1986) and "Hit the North" (no. 57, 1987),[24] and enjoyed a string of critically acclaimed albums: The Wonderful and Frightening World of the Fall (1984), This Nation's Saving Grace (1985), Bend Sinister (1986), and The Frenz Experiment (1988). I Am Kurious, Oranj is notable as the fruit of a ballet project between Smith and dancer Michael Clark. Simon Rogers and later Marcia Schofield played keyboards. Paul Hanley quit during the tour supporting The Wonderful and Frightening World of the Fall, and Simon Wolstencroft replaced other drummer Burns after This Nation's Saving Grace. Wolstencroft becoming sole drummer shifted the group's sound; his drumming was described as "nimble" and "funky" when compared to Burns.[21] In 2014 Wolstencroft published a memoir You Can Drum But You Can't Hide about his 11-year stint in the Fall.[25]

1990–2000

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With Brix's departure in 1989 – both from the band and her marriage to Smith – Bramah returned briefly for 1990's Extricate, the first of the Fall's three albums for Phonogram Records. In the early 1990s the band continued to have modest success on the UK chart with singles including "Telephone Thing" (no. 58, 1990), "White Lightning" (no. 56, 1990), "Free Range" (no. 40, 1992) and "Why Are People Grudgeful" (no. 43, 1993).[24] Bramah and Schofield were sacked in advance of 1991's Shift-Work. Dave Bush joined on keyboards for 1992's Code: Selfish, followed by the band's return to an independent record label for The Infotainment Scan (1993), Middle Class Revolt (1994), and Cerebral Caustic (1995). These albums featured varying degrees of electronica and IDM, courtesy of Bush's keyboards and computers. Caustic saw the unexpected return of Smith's ex-wife Brix, who recorded The Light User Syndrome before departing in 1996. When Dave Bush went to join Elastica, Scanlon was sacked after sixteen years, an unpopular decision which Smith would later regret. In November 1994 Julia Nagle joined to help promote the release of Cerebral Caustic, playing keyboards, guitars and computers. Nagle went onto contribute to The Light User Syndrome in 1996. That year also saw the start of a torrent of compilations of live, demo and alternative versions of songs on the Fall's new label Receiver Records.

In 1994 and 1996, the Fall played at the Phoenix Festival in Stratford-upon-Avon, England – the 1996 appearance being one of much surprise to many fans as they were not scheduled to play. The next album, Levitate (1997), toyed with drum and bass and polarised opinion (long-serving drummer Simon Wolstencroft left halfway through the recording sessions, and was replaced – again – by Karl Burns). Steven Wells in the NME (11 October 1997) wrote, "Imagine pop without perimeters. Imagine rock without rules. Imagine art without the wank. If you've never heard the Fall then Levitate will be either the best or the worst record you've ever heard." The group was temporarily reduced to Smith and Nagle when a short US tour ended in April 1998 with onstage rows in New York, which resulted in Smith unplugging the amps during songs and lashing out at the other members, leading Burns to physically shove him. This led to the departure of Hanley (bassist of nineteen years), Burns, and guitarist Tommy Crooks. The following day, Smith was arrested and charged with assaulting Nagle in their hotel.[26] Despite this, Nagle remained with the band. The Smith and Nagle line-up would release two albums: The Marshall Suite (1999) and The Unutterable (2000).

2001–2017: later years

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Further rifts within the band followed in 2001, which led to a new line-up of Smith, Ben Pritchard (guitar), Ed Blaney (guitar), Jim Watts (bass), and Spencer Birtwistle (drums) releasing Are You Are Missing Winner that year to mixed reviews. Spencer Birtwistle was replaced by Dave Milner on drums in November 2001. September 2002 saw Elena Poulou – Smith's third wife – fill the vacant position of keyboards player, and that year Q magazine named the Fall one of "50 Bands to See Before You Die". The Real New Fall LP (renamed from Country on the Click after an earlier mix of the album appeared on Internet file sharing networks) followed in 2003, with a slightly different mix and some extra tracks for the US version, after which Jim Watts was sacked (replaced by Steve Trafford) and Milner was replaced by a returning Spencer Birtwistle. In 2004 the band released its first career-spanning compilation to positive reviews in June, and a new album, Interim, in November.[citation needed]

Edinburgh, 2011

In January 2005, the Fall were the subject of a BBC Four TV documentary, The Fall: The Wonderful and Frightening World of Mark E Smith. Their twenty-fifth studio album, entitled Fall Heads Roll, was issued on 3 October 2005. The guitarist, bassist, and drummer all left the group acrimoniously during the US summer 2006 tour after just four dates. In a US radio interview, Smith described their departures as "the best thing that ever happened" to the Fall, although it was some months before he confirmed that they would not be returning.[27]

Early in 2007 the Fall released the Reformation Post TLC album, recorded with the same lineup that salvaged the 2006 US tour. Yet another lineup released Imperial Wax Solvent, in 2008; this lineup would hold for the following three albums, and the core of Peter Greenway (guitar), David Spurr (bass), and Keiron Melling (drums) for the remainder of the band's existence. In April 2009, the Fall signed with UK-based independent record label Domino Records.[28][29] A new studio album, titled Your Future Our Clutter, was released on 26 April 2010.[30] This was followed in November 2011 by the album Ersatz GB.[31] In March 2012, the band were chosen by Jeff Mangum of Neutral Milk Hotel to perform at the All Tomorrow's Parties festival he curated in Minehead, England.[32] The Fall released their twenty-ninth studio album, Re-Mit, in 2013.[33][34]

In 2014, former members Brix Smith Start, Steve Hanley and Paul Hanley formed a new group called Brix & the Extricated.[35] In addition to new original material, the group also performs songs that the members had written or co-written during their tenure with the Fall.[36] Smith Start and Steve Hanley also both released autobiographies covering their tenures with the Fall around this time frame; 2016's The Rise, the Fall & the Rise and 2014's The Big Midweek: Life Inside the Fall, respectively.[37][38]

The Fall's thirtieth album, Sub-Lingual Tablet, was released in 2015. This would be Elena Poulou's last album with the band: in a 2016 interview with Mojo Magazine, Smith announced that she had resigned;[39] they would divorce that year.[40] The Fall's thirty-first and final studio album, New Facts Emerge, was recorded as a four-piece and released in July 2017. Michael Clapham joined in May 2017 on keyboards, but never recorded with the band. Following Smith's death, Greenway, Spurr and Melling recruited singer and guitarist Sam Curran to form a new band, Imperial Wax.[41]

Death of Mark E. Smith

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Early in 2017, there were reports that Smith was ill, and over the year numerous live dates were cancelled or postponed for reasons of health, including a week's dates in New York.[42] Having become weak due to a change in medicine, he performed a number of shows in a wheelchair. His final performance and last appearance in public took place at the Queen Margaret Union, Glasgow, on 4 November 2017. Another show was scheduled for the Fiddlers, Bristol, on 29 November; Smith travelled to Bristol but was then too unwell to leave his hotel room. The other members of the group made a brief appearance on stage and apologised to the people who had come to see the Fall.[43]

On 24 January 2018, Smith died at his home in Prestwich, Greater Manchester after a long illness. He was 60 years old.[44] Smith had been diagnosed with terminal lung and kidney cancer, which his family confirmed had contributed to his death.[45] The announcement of Smith's death was made by his partner and Fall manager Pamela Vander. Smith had been an alcoholic and periodic drug user for much of his adult life,[46] and had undergone treatment on a number of occasions. His condition led to him falling and suffering bone fragmentation a number of times from the mid 2000s, leading to his performing several dates in a wheelchair and cast. A heavy smoker, Smith had long suffered from throat and respiratory problems; yet his work ethic or output never declined and he continued to release a new album close to once a year.[47]

Posthumous projects

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In August 2018, Cherry Red Records, the Fall's final label, announced they had purchased the rights to 40 Fall albums from Smith before his death, and plan to release a reissue series and box set sometime in the future.[48]

Smith's vocal style and lyrics

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Main article: Mark E. Smith § Lyrical and vocal style
Mark E. Smith performing live, 2008

Smith's vocal delivery was known for his tendency to end each phrase terminating in a consonant with an added schwa vocalisation ("ah").[49] He often speak-sang or sing-slurred his lyrics, especially from the mid-1990s. His delivery, particularly when playing live, could be described as "rambling", and he often interjected improvised rants.[50]

His lyrics, delivered in a heavy Mancunian accent, are often cryptic,[6] absurdist and inscrutable, and were described by critic Simon Reynolds as "a kind of Northern English magic realism that mixed industrial grime with the unearthly and uncanny, voiced through a unique, one-note delivery somewhere between amphetamine-spiked rant and alcohol-addled yarn."[51] Smith described his approach as wanting to combine "primitive music with intelligent lyrics".[52] Thematically, his frequently densely layered lyrics often centre around descriptions of urban grotesques, gloomy landscapes, "crackpot history", and are infused with regional slang.[53]

Fragments of Smith's lyrics often appeared handwritten on early Fall album and single covers, along with collages he had put together. In a 1983 interview with Sounds, Smith said that he liked artwork to reflect the album content and that his graphic choices reflected his attitude to music. He mentioned how he was drawn to cheap and misspelled posters, amateur layouts of local papers and printed cash and carry signs with "inverted commas where you don't need them".[54]

Influence

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On the group's influence, Stephen Thomas Erlewine of AllMusic wrote that "the Fall, like many cult bands, inspired a new generation of underground bands, ranging from waves of sound-alike indie rockers in the UK to acts in America and New Zealand, which is only one indication of the size and dedication of their small, devoted fan base."[55]

The Fall influenced groups and artists such as Pavement,[56] Franz Ferdinand,[57] Yung Lean,[58] Happy Mondays,[59] Sonic Youth, These New Puritans,[60] LCD Soundsystem,[61] as well as the Russian group Grazhdanskaya Oborona. Sonic Youth covered three Fall songs (and "Victoria" by the Kinks, also covered by the Fall) in a 1988 Peel session, which was released in 1990 as an EP, "4 Tunna Brix", on Sonic Youth's own Goofin' label. The Pixies covered "Big New Prinz" during their 2013 world tour.[62] The 1990s indie acts Pavement (who recorded a version of "The Classical") and Elastica (Smith contributed vocals to their final EP and album) showed an influence of the Fall, while Suede parodied the band with "Implement Yeah!", a song found on the cassette edition of their 1999 single "Electricity".[63]

Discography

[edit]
Main article: The Fall discography
Studio albums

Members

[edit]
Main article: List of the Fall band members

Since the Fall formed in 1976, Mark E. Smith was the only constant member. All other founding members had left by the end of 1979, although Martin Bramah returned to the band from 1989 to 1990. Of the 66 musicians who came and went over the band's 40-year existence, about one third played in the band for less than a year. The final line-up consisted of Smith, Pete Greenway, Dave Spurr, Keiron Melling and Michael Clapham. Melling, Spurr and Greenway joined the band in 2006.

Smith once remarked, in an oft-quoted quip about the band's frequent lineup changes, "If it's me and your granny on bongos, it's The Fall."[64]

References

[edit]
  1. ^ "Group Members, Guests and Producers (A-Z) - Page 1". The Fall Online. Retrieved 7 August 2023.
  2. ^ "Group Members, Guests and Producers (A-Z) - Page 2". The Fall Online. Retrieved 7 August 2023.
  3. ^ "Dave Simpson – The Fallen". Thefallenbook.co.uk. Archived from the original on 9 September 2011. Retrieved 9 July 2011.
  4. ^ Huey, Steve. "Mark E. Smith – Music Biography, Credits and Discography : AllMusic". AllMusic. Retrieved 25 May 2013.
  5. ^ Reynolds, Simon (1996). The Sex Revolts: Gender, Rebellion, and Rock 'n' Roll. Harvard University Press. ISBN 978-0674802735.
  6. ^ a b Huey, Steve. "Mark E. Smith – Music Biography, Credits and Discography: AllMusic". AllMusic. Retrieved 25 January 2018.
  7. ^ O'Hagan, Sean (16 January 2005). "He's Still the Fall Guy | Film | The Observer". guardian.co.uk. Retrieved 25 May 2013.
  8. ^ Reynolds 2006, pp. 175–76.
  9. ^ a b Reynolds 2006, p. 176.
  10. ^ Kielland, Aksel (2008). "Mark E. Smith – repetitiv originalitet". Vinduet (in Norwegian) (3): 30–36.
  11. ^ a b Reynolds 2006, p. 174.
  12. ^ a b "The Fall Gigography | 1977". thefall.org. Retrieved 25 May 2013.
  13. ^ a b Eslea, Daryl (2004). 50,000 Fall Fans Can't Be Wrong (CD sleevenotes).
  14. ^ a b c Reynolds 2006, p. 193.
  15. ^ Simpson, Dave (5 January 2006). "Dave Simpson Tracks Down Everyone Who Has Ever Been a Member of Mark E Smith's Band | Music | The Guardian". guardian.co.uk. Retrieved 25 May 2013.
  16. ^ a b Simpson, Dave (27 October 2010). "The Fallen Blog: Revealed After 34 Years: The Identity and Full, Sad Story of "The Unknown Drummer"". thefallenblog.blogspot.com.au. Retrieved 25 May 2013.
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  29. ^ Breihan, Tom (10 April 2009). "The Fall Sign with Domino". Pitchfork. Retrieved 26 May 2013.
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  36. ^ "The Fall girl: Brix Smith Start on new memoir and re-embracing The Fall". The Irish News. 5 May 2016. Retrieved 2 February 2018.
  37. ^ Hughes, Rob (May 2016). "Slang Queen!". Uncut. Retrieved 12 April 2016.[permanent dead link]
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  39. ^ Harrison, Ian (2016). "The 40 Years War" (PDF). Mojo. 274: 66.
  40. ^ Curran, Shaun (11 December 2017). "Mark E Smith – the last interview". iNews. Retrieved 9 October 2018.
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  43. ^ "Instagram post by 👯Wendy 👸 • Nov 29, 2017 at 10:33pm UTC". Instagram. Archived from the original on 26 December 2021. Retrieved 28 January 2018.
  44. ^ Pareles, Jon (25 January 2018). "Mark E. Smith, Uncompromising Leader of The Fall, Dies at 60". The New York Times. p. B14.
  45. ^ Snapes, Laura (13 February 2018). "Mark E Smith's family disclose cause of death". The Guardian. Retrieved 23 February 2018.
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  48. ^ Payne, Andre (9 August 2018). "'We never fell out with Mark': Cherry Red's Iain McNay on The Fall reissues campaign". Music Week. Retrieved 11 August 2018.
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  50. ^ Kaplan, Ilana. "Mark E. Smith dead: Eight of The Fall's best tracks". The Independent, 25 January 2018. Retrieved 27 January 2018
  51. ^ Reynolds, Simon (1996). The Sex Revolts: Gender, Rebellion, and Rock 'n' Roll. Harvard University Press. ISBN 978-0674802735.
  52. ^ Hogan, Marc. "10 Songs That Defined the Fall and Mark E. Smith". Pitchfork, 25 January 2018. Retrieved 27 January 2018
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Sources

Bibliography

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